The technical conversion pipeline built and refined across a decade of professional color work, precisely calibrated Log-to-Rec.709 baselines for every major camera system, with an optional film-density variant included.
Precise conversions built for the major Log formats (ARRI, RED, Sony, Blackmagic Design, and more) matched to the same Rec.709 target color-for-color.
A perfectly linear, precisely calibrated normalization, a flawless, crisp baseline for broadcast and commercial delivery.
Mimics analog film response, so saturated colors darken naturally instead of blowing out digitally bright, for instant cinematic density.
The exact pipeline used across commercials, documentaries, and narrative work, not a generic creative filter, but a professional-grade workflow tool.
Every image above is shown with the LUT applied and nothing else, with no exposure, contrast, or color adjustments on top. All four comparisons use the exact same two LUTs, proving they hold up consistently across different shots, not just one cherry-picked frame.
Sometimes you don't need or want the saturation baked into a Log-to-Rec.709 LUT. By removing it completely, you get far more control over the image and a fully non-destructive color grading process, letting you build your own look on a clean, neutral foundation.
Included as a bonus, a third LUT that removes the saturation curve in its entirety, delivering maximum creative latitude and full control to introduce your own custom look profiles or grade contrast spaces from absolute scratch.
Stop fighting your camera's Log footage. No more muddy skin tones, clipped highlights, or hours spent matching different cameras in the timeline. This kit delivers precisely calibrated, broadcast-ready Rec.709 normalizations for every major camera ecosystem on the market.
This is the exact, battle-tested pipeline engineered and refined across a decade of high-stakes commercial, documentary, and narrative projects. While generic LUT packs act as cheap filters that break your image, this is a professional workflow tool built for absolute consistency across multi-cam timelines.
Every LUT in this kit is built for the most widely used camera systems in the industry, with three distinct rendering versions depending on your project pipeline:
01 / The Standard Technical Conversion: A perfectly linear, precisely calibrated normalization. Delivers crisp, true-to-life colors that serve as a flawless baseline for broadcast and commercial work.
02 / The Subtractive Saturation Variant: Mimics authentic analog film response. Highly saturated colors darken naturally instead of becoming digitally bright and neon, creating instant cinematic density out of the box.
03 / The Zero-Saturation Curve Variant: Completely strips out pre-mapped color-science saturation curves. Keeps the wide gamut output utterly flat so you retain absolute creative control over custom color profiles, look adjustments, and grading pipelines.
The K-Core R709 LUT Pack is designed to give you a fast, consistent technical starting point.
If you'd rather have full control over the transform itself, there's also a PowerGrade version that recreates the same foundation as a fully editable DaVinci Resolve node tree.